“The smile on the face of the Mona Lisa is so enigmatic that it disappears when it is looked at directly, says a US scientist.
Professor Margaret Livingstone of Harvard University said the smile only became apparent when the viewer looked at other parts of the painting.
The Mona Lisa, painted by Leonardo da Vinci in the 1500s, has intrigued art lovers for five centuries because of its subject's mysterious smile.
The theory has been presented at the American Association for the Advancement of Science's (AAAS) annual meeting in Denver, Colorado, this week.
The smile disappeared when it was looked at because of the way the human eye processes visual information, said Prof Livingstone.
The eye uses two types of vision, foveal and peripheral.
Foveal, or direct vision, is excellent at picking up detail but is less suited to picking up shadows.
"The elusive quality of the Mona Lisa's smile can be explained by the fact that her smile is almost entirely in low spatial frequencies, and so is seen best by your peripheral vision," Prof Livingstone said.
The more a person stares fixedly ahead, the less useful is their peripheral vision.
Prof Livingstone said the best example of this effect was if someone was to stare at a letter on a page of print.
Concentrating on one letter made it difficult to pick out other letters even a short distance away, Prof Livingstone said.
She said the same principle was used by da Vinci on the painting. The smile only became apparent if a viewer looked at her eyes or elsewhere on her face….”
BBC: Mona Lisa Smile Secrets Revealed.
Personally, the smile in question is quite ‘apparent’ to myself even when I look directly, or ‘fovealy’, at Lisa’s lips.
Perhaps the degree to which one attempts to appreciate the detail in all aspects of life...
…impacts on the degree to which one is able to detect ‘shadows’ even when looking at things directly, whether it be in paintings or in life itself. This, I suppose, is one of the reasons why I never found Mona (mona’ – ‘lady’, ‘madam’) Lisa’s smile ‘enigmatic’.
Perhaps it is such a relatively more pronounced appreciation of detail…
..that led me to use a magnifying glass to ‘scratch’ in details in some drawings that I did in my late teens. For some reason, still unbeknownst to myself, I realised than that that which is not immediately observable (by the current version of the ‘human mind’) has a greater impact on the mind than that which is. It is these between-the-lines and barely visually perceptible details that gave the picture an ‘aura’ or the viewer a particular ‘feeling’ upon looking at it from a distance. (I claim no credit for this realisation as I’m still trying to detect the external source/s that led to ‘my’ realising this.)
Thus, if we are inclined to view madam Lisa’s smile as ‘enigmatic’,
…this might actually be symptomatic of a perspectival deficiency on our part that leads to an inability to appreciate the ‘shadows’ that found ‘modern’ ‘life’ and ‘reality’. It is this that I consider a true ‘disability’, ‘retarded’ or ‘nerdy’. And, I suppose, it is this gross disability on the part of the masses that still leads them to view the wheelchair-bound, ‘blind’, ‘deaf’, etc, as ‘disabled’; disables their ability to appreciate the true causes behind terrorism, poverty, aids, catastrophes and wars; leads them to form long queues or go ‘goo goo’ for the latest ‘Harry Potter’ book and film; make box-office hits out of arachnoid or spandex-clad ‘superheroes’; worship ‘celebrities’ and view them as a part of The Solution as opposed to a part of The Problem; confuse their professionalism in a particular job for professionalism in life; think that the ability to cast an opinion is indicative of its quality as opposed to its logical and rational content; and, not forgetting, thinking Mona Lisa’s smile, ‘enigmatic’ as opposed to such thoughts being indicative of some deficiency on their part.
Methinks we are living in an Age of Foveal Vision.
It takes the belief that ‘we have arrived’ @ ‘modernity’ to exacerbate all round ‘foveal vision’. That is when we will cease to appreciate the ‘detail’ comprising reality, and appreciate things on a surface, as opposed to ‘foundational’, level. S/he who does not see the shadows is condemned to live in it. I think the penchant for greater use of acronyms, abbreviations, words such as ‘cool’, ‘nerd’, and the propensity to appreciate brief and to-the-point statements, amongst a host of others, are symptoms of such a Foveal mindset. Where reality is taken as a given, the human mind moves on to abbreviating it in a myriad of ways for quicker understanding so that it can move on to acting within it. This is indicative of a decrease in the perceived need to scrutinise the foundations of our existence. The idea of, and believing that ‘we have arrived’ @ ‘modern times’ itself absolves humanity of the need to question it. In fact, I think the symbol '@' is itself most apt in illustrating the reduced perspectival persona of 'modern' humanity.
ed-infinitum
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Comments
Hello Ed,
This is indicative of a decrease in the perceived need to scrutinise the foundations of our existence.
Thank you for this implosion of thought Ed.
How many people will read and wonder,,or even dare to think beyond the wall that surrounds them. This wall of self imposed ignorance and self deceit. Within the shadows,,,,, excellent visual in my head with this Ed. Excellent as in insightful and frightening too.
Existence. What a word. It is a word that conjures up many things and ideas with theory's, yet existence is nothing without life it self. If a person was to truly 'exist' then I think it would be with the comprehension that 'existence' is primordial to all things.
Thenkyou so much Ed, I have awoken again.
Deepest respects.
Dave Birdsall
I agree with you, Dave. Ed really put the depth charge on that one.
I totally am on board with the idea of that painting exploiting some of our visual dificiencies. I had never thought of that before! The idea appeals to me, it is almost like Da Vinci was trying to send a hidden message by painting in a color we can't immediately percieve (like on the ultra violet spectrum or something.)
Yeah, I guess we tend to be mystified by things we don't understand and lable them with terms like enigmatic. I have to admit that I am guilty of it myself! To me it means "I don't know what it is, but I am fascinated, please stand by!"
I read this post and thought "Tru dat." I often give a simple reply, but since this morning's workout was so positive, I thought I would throw my arm around Dave and actually explain myself a bit.
I am still on this journey with you guys, but unlike most people on the internet, I am not trapped in a hall of mirrors, but a deep dark cave that I am slowly emerging from. I can't look out directly because it is a bit too bright, so I am still examining the shadows for now.
I'm coming out and I'll be able to look at it one day.
Hello, 3d,
Yeah, many things are deceptive and not as straightforward as they first appear. Having said that I usually don't delve too deep into certain subjects.
I find somethings intriguing and want to find out more but more out of a sense of interest and lack of knowledge.
It is always more with me that existence and the joy of life will always get my attention. Although 'joy' can be taken different ways I find art and artists always provoking and intuitive but also vulnerable too. Within the joyfulness of things such as looking at the Mona Lisa and hearing descriptions over the years will always bring me back to self 'scrutinising' or self learning.
The fundamental issue to me is to be aware of the darkness/shadows but also to know that the light of self and knowledge is always more bright and revealing.
I said to someone the other day that I thought I was in the dark a lot of the time but then It dawned on me that it was just a case of 'blinking' too much. Eyes open wide sees more and I just think that is great.
I would like to add you to my neighbourhood if thats ok with you as I see that the possibility of learning with all of us is something I look forward too.
regards,
davbe
I would like to add you to my neighborhood, too. I like exploring all of this. It is hard for me. After examining who I am, I realize that I don't have anything, I am pretty much nothing.
So, my current task is to do/be something to examine!
"it is almost like Da Vinci was trying to send a hidden message by painting in a color we can't immediately percieve.."
Perhaps Da Vinci didn't think that we wouldn't notice Nicole. Perhaps it was obvious to him and he thus thought it would be obvious, as opposed to 'enigmatic', to us. Whether that is the case or not, it is a most valuable indicator of our deficiency and thus a spur to do something about it."Ed really put the depth charge on that one."
You made me laugh with that:) Thanks.
"Yeah, I guess we tend to be mystified by things we don't understand and lable them with terms like enigmatic. "
Totally agree. It was about a decade ago that i told myself that that which i found to be complex wasn't complex. It was just my stupidity that me think it was 'complex'. A diffusion of responsibility to the phenomenon encountered. It was then that i realised how utterly stupid i was. But it was also then that i was empowered to do something about it. I suppose intelligence is not what you know, but what you can do about what you don't know.
"I can't look out directly because it is a bit too bright, so I am still examining the shadows for now."
Damn good way to start Nicole. Methinks tis' an appreciation of the depth of the 'shadows' that doth make us more photosynthetic to the 'Light'.
Thank you Nicole, you really made me think with your observations. Thanks for the workout!
ed
Hi Davey,
"How many people will read and wonder,,or even dare to think beyond the wall that surrounds them. This wall of self imposed ignorance and self deceit."
Not many i'm afraid Dave. I'm under no illusions and i'm certain that not many will read and consider the articles published here. But, never mind, at least it is there as an alternative stream of thought instead of not being there at all.
"I find art and artists always provoking and intuitive but also vulnerable too. "
That is a most interesting observation Dave. I suppose the 'vulnerability' of art and artists lie in their thinking that they are the endpoint of discovery as opposed to a 'roadhouse' along a dynamic and dialectical circular track comprising other 'roadhouses' wo/manned by thinkers, sculptors, musicians, etc. That is why i an a staunch resistor against making celebrities out of any particular type of artist.
"I said to someone the other day that I thought I was in the dark a lot of the time but then It dawned on me that it was just a case of 'blinking' too much. Eyes open wide sees more and I just think that is great."
Now that is a great thought indeed. Just to add, i liken the act of 'blinking' to self-doubt and doubt in the face of anything convincing. It sort of clears the sight and helps one to see clearer when the eyes are 'wide open' thereafter.
Thanks for your insightful observations Dave.
ed
Between the nothing and the eveything lies the secret. Imagine a gravestone, it says and looks like this actually,
born 1900 ---- 1970.
its the --- that makes the difference, not the dates. so you are, therefor you are what, that is the question?
I'm thinking about this now too.
Ed, I think a muscle just popped in my brain........
davb